12.11.2025 - 15.12.2025
Ingvild Melberg Eikeland
Ingvild Melberg Eikeland (b. 1989, Lørenskog, Norway) Eikeland completed a master's degree in art at Umeå Academy of Fine Arts in 2019 and now lives and works in Stavanger.
Eikeland's artistry combines various media and materials, such as sculpture, photography, video and programming, where the works are presented as installations.
Her practice is based on questions related to experiences of our world through local and global narratives, and how different perceptions arise, are shared, shaped and changed through the establishment of myths.
She has exhibited at, among others, Stavanger Art Museum, Andersson/Sandström (Stockholm), Galleri Punkt (Oslo), Studio 17 (Stavanger) and Photoworks (Glasgow).
Ingvild was on residency with us in November/December 2025. At Velferden Ingvild Melberg Eikeland developed a project based on glossopetrea (tongue of stone), a medieval myth spun around fossilized shark teeth and the notion that these were once tongues that were transformed into stone. Ingvild herself wrote this about her stay:
“In the project I wanted to interpret glossopetrea and tongue as in language, but also partly as a petrified tongue, and how meaning is shaped and expressed through different perspectives and interpretive frames. The project is planned to result in a text/video work where conflicting interpretations narrate the history of the stones and the landscape around them.
In Sokndal, I spent the beginning of my stay looking for rock formations that I could make talk. To listen, I constructed a seismic measuring device that was attached to the rock and logged the small movements over time. What the rocks I selected as informants have in common is that they in various ways bear traces of human intervention and have been shaped through extraction, infrastructure and ritual practice.
The work of putting the meter together took longer than I had planned, partly because of technical challenges, but also because I was absorbed by the landscape and surroundings of Sokndal. When the meter was finally finished, I took it outside and attached it to the rock formations I wanted to monitor. It remained on the rock until the next day, and the bulk of the data was collected throughout the night. One night during this period, I woke myself up from a dream and had the idea that the data from the rocks could be read as a form of sleep data. What the meter picked up could perhaps say something about the rock's sleep patterns, and from there, speculatively interpreted as dreams that reveal something about its subconscious and history.
With this as a starting point, I will build two language models that will process and translate the data through linguistic material from two sleep-related psychological methodologies. One works through the interpretation of symbols and the subconscious. The other is based on sleep-based imprinting practices, where meaning is fed through coercion and repetition.
The stay allowed me to delve into the ideas I brought with me when I arrived, but also had a great impact on how I will process the material I collected in Sokndal. The time and peace of mind allowed me to work at a more relaxed pace, where I could work more openly and intuitively instead of getting hung up on things like theoretical relevance and technical implementation. I am also grateful for the time I had to collect rocks, get lost on excursions, the people I got to know, and all the nice and strange conversations around the kitchen table in the residence hall.”
Photo 1 © Hanna Biørnstad
Photo 2-5 © Igor Trepeshchenok
Photo 6 - 10 © Ingvild Melberg Eikeland